Dance Criticism

Who is Arlene Croce and how did she affect cheats noviceism in the late twentieth century? How do her statements reflect her values?

Arlene Croce, dance critic for the sore Yorker, gained national prominence when she refused to view and write slightly the dance piece Still/Here, by the black, gay and human immunodeficiency virus positive choreographer Bill J superstars. According to her finesseicle Discussing the Undiscussable, Croce objects to Jones style of control known as victim art which incorporated ... video-and audiotapes of authorized people with cancer and AIDS in to his performance that were uncomplete dancers nor dancing within the piece (Berger 1). Consequently, Croces article is non a review/critique of the dance piece in particular pro eyeshot but about the genre this type of sympathetic art falls into and the effect the piece has on the audience. Because of its content, Croce felt that she could not responsibly review someone that she felt sorry for or hopeless about. Croce felt that the critic has three responsibilities. Croce argued against any art that manipulated the critic or audience bunsd on feelings of sympathy, condolence or admiration.

Croce along with many of her collogues saw academic reflection reduced over the past thirty years to base arguments and inconsequential rhetoric.



Croce worked for the New Yorker for nearly 25 years and strengthened a reputation as being a fitting dance critic who reported on both the pros and cons. Her position and credentials gave her article Discussing the Undiscussable, a voice that was filtered through one of the best and most highly regarded magazines in New York City. Because Croce worked for the New Yorker, her article became important in the dance criticism kingdom because her article highlighted several problems in dance criticisms in the twentieth century. The article also served as a paradigm for other(a) critics...

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